{"id":2600,"date":"2013-10-15T18:09:48","date_gmt":"2013-10-15T23:09:48","guid":{"rendered":"http:\/\/www.patrickmclaurin.com\/wordpress\/?p=2600"},"modified":"2013-11-04T11:21:31","modified_gmt":"2013-11-04T16:21:31","slug":"rjm-solo-chanter-take-2","status":"publish","type":"post","link":"https:\/\/patrickmclaurin.com\/wordpress\/?p=2600","title":{"rendered":"RJM solo chanter, take 2"},"content":{"rendered":"<p>I was a little concerned about the D on the RJM solo chanter being flat from my <a href=\"http:\/\/www.patrickmclaurin.com\/wordpress\/?p=2575\" target=\"_blank\">initial set up of the chanter<\/a>. A summary of that post has both new and broken in Husk and new Melvin reeds all giving a flat D such that I had to tape every other hole down (except high A) to match the tuning of the D. Both those reed makes being hybrid ridge cut or full ridge cut respectively, I figured I&#8217;d see if the flat D persisted into the realm of straight cut reeds. I found one of my old broken in Gilmour reeds from days past and lo and behold, I didn&#8217;t have to move a piece of tape; therefore, the D is still flat. So, I feel this particular chanter might could stand a little undercutting on D. Another RJM player has reported a perfectly fine D but another flat note, so looks like there&#8217;s a wee bit of variability. (EDIT November, 4 2012 &#8211; Roddy has reported that the flat D is unusual and would like to take a look at the chanter, you can see a pic of his personal chanter in the <a href=\"http:\/\/www.patrickmclaurin.com\/wordpress\/?p=2575\" target=\"_blank\">original post<\/a>.)<\/p>\n<p>I figured I was 2\/3 the way to what I call the <a href=\"http:\/\/www.patrickmclaurin.com\/wordpress\/?p=2306\" target=\"_blank\">standard Gold Medalists set up<\/a>, so I figured (we do a lot of that in West Texas) I&#8217;d go all in and so I have switched the bass drone reed in these Colin Kyo pipes from a low pitch Genesis Kinnaird to a Henderson Harmonic Deluxe. I prefer this combination as the bass isn&#8217;t quite as overbearing, so you get a really good blend. Since this is the combination a lot of upper echelon players use, I guess these CK pipes are a lot like all those classic Hendersons those guys play. If I recall correctly, Murray based his pipes off an old Henderson.<\/p>\n<p>My fingers are still adjusting to the different chanter spacing from the Colin Kyo chanter, pardon the slips please. Mic is drones side, i.e. behind me.<\/p>\n<p><a href=\"http:\/\/www.patrickmclaurin.com\/wordpress\/wp-content\/uploads\/2013\/10\/burden_of_innocence-happy_days.mp3\">Burden of Innocence and Happy Days<\/a>\u00a0&#8211; a tragic tune followed by a happy tune<\/p>\n<p><a href=\"http:\/\/www.patrickmclaurin.com\/wordpress\/wp-content\/uploads\/2013\/10\/ewe_wi_the_crooked_horn-rejected_suitor.mp3\">Ewe wi the crooked horn and Rejected Suitor<\/a>\u00a0&#8211; still working on my strathspey phrasing, SWSW seems to work pretty well for the first part of Ewe, just need to figure out what works best for the other parts<\/p>\n<p><a href=\"http:\/\/www.patrickmclaurin.com\/wordpress\/wp-content\/uploads\/2013\/10\/kantara_to_el_arish-cowal_gathering-major_manson_farewell.mp3\">Kantara to El Arish, Cowal Gathering, and Major Manson&#8217;s Farewell to Clachantrushal<\/a>\u00a0&#8211; gotta work on my 2\/4s for the upcoming competition in Salado, TX<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I was a little concerned about the D on the RJM solo chanter being flat from my initial set up of the chanter. A summary of that post has both new and broken in Husk and new Melvin reeds all giving a flat D such that I had to tape every other hole down (except &hellip; <a href=\"https:\/\/patrickmclaurin.com\/wordpress\/?p=2600\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">RJM solo chanter, take 2<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-2600","post","type-post","status-publish","format-standard","hentry","category-ghbsolo"],"_links":{"self":[{"href":"https:\/\/patrickmclaurin.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/2600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/patrickmclaurin.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/patrickmclaurin.com\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/patrickmclaurin.com\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/patrickmclaurin.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2600"}],"version-history":[{"count":10,"href":"https:\/\/patrickmclaurin.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/2600\/revisions"}],"predecessor-version":[{"id":2607,"href":"https:\/\/patrickmclaurin.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/2600\/revisions\/2607"}],"wp:attachment":[{"href":"https:\/\/patrickmclaurin.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/patrickmclaurin.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/patrickmclaurin.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}