Category Archives: Reviews

Reviews of CDs, pipes, etc…

Marr drones + Gael and McC2 poly chanters

You may recall from recent post that a friend of mine won some Marr bagpipes. So, just the other day we had a drone reed optimization party to get the best drone reeds for each pipe. Out of Redwood, Henderson Harmonic Deluxe, Ezeedrone, Selbie, Wygent, Kinnaird, Colin Kyo, and Crozier cane we settled on Redwood tenors and a Selbie bass in the Marr’s. The Redwood tenors are very bright and solid while the Selbie bass gave a very deep and broad bass tone. Both he and I have never had much luck with the Redwood bass reed, regardless of pipe. Though the subject of another blog post, my Gellaitry’s ended up with Kinnaird tenors and a Wygent bass. Other reeds of note were the Crozier cane and Henderson Harmonic Deluxe tenor reeds.

Before we get to the recordings, a little bit about the chanters. There’s a thread on the bobdunsire.com forums at the moment that is a review of Bb chanters. Although the Gael is a 470 Hz chanter (not 466 Hz Bb), it is the first to be reviewed and a direct comparison is made in one post between the Gael and McC2 chanters. Specifically, that they are not too different pitch wise (Gael ~3 Hz flatter) and so one might as well go with the McC2 as the commonly accepted superior chanter (ya know, Willie McCallum designed it and all (though Jim McGillivray designed the Gael, also note the Gael was designed as a band chanter for lower grade bands to get their pitch down)). So, I’ve got both of those chanters in poly. So what follows are the same tunes played on the same Marr bagpipe with the same drone and chanter reeds, the only difference being the chanter. For those into such things, the drones are tied into a grommetted Gannaway bag.

So, you’re bored of reading my discourse now, so on to the recordings! Oh wait, the Gael came in at 472 Hz, the McC2 at 480 Hz. That’s a difference of 8 Hz for those of you too lazy to do the math yourself. Also, I’m walking around in a circle relative to the recorder (a Zoom H2), so you’ll hear tenor, bass, and chanter dominant parts as I walk around. Also, sorry about the lip seal noises, I passed my dissertation defense at the expense of not practicing for the last 2 months.

Gael – Swallow’s Tail and Rakish Paddy

The B on the Gael was a teeny bit flat. I’ve got tape on C, D, and F. The high G is in tune when I remember to blow out the high A.

McC2 – Swallow’s Tail and Rakish Paddy

The McC2 is pretty well balanced with tape on high G, F, E, C, and low A.

Redwood reeds in Gellaitry pipes

Highland Bagpipe Company had a promotion going on that if you spent more than 50 pounds you’d be entered to win a set of Marr bagpipes. Well, I didn’t win, but the friend I told about it did. But, I did end up with a set of Redwood drone reeds. Tim Gellaitry told me on the phone he thought they sounded nice in his pipes so I figured, why not? You’ll find the drones go out towards the end of each recording as my sessions are short so the only recordings I get are of things getting warmed up (except the last recording, of my tunes, where I’m about done warming up but had to stop to attend the kiddos). I find the tenor reeds to move with the chanter very well, the bass less so and therefore requiring more tuning, but they all settle in nice. They are very bold reeds. I get quite a nice lovely ring off the tenors, with maybe a bit of edge to them. This fiber glass thing has me wondering about Wygent’s and the reintroduction of Crozier’s versions. We’re having a spot of trouble getting them going in my friend’s Robertson’s (same guy who won the Marr pipes), the bass being a bit temperamental (it’s either off or growling), but hopefully we’ll get it sorted (though it’s a bit tough to beat Canning’s in Robertson’s!). I don’t find that the tuning pin (not screw, it just a pressure fitted o-ring) does just a whole lot, and the bridle is sensitive, but you’re not likely to find many bridles that aren’t. I got them set quickly though. Sorry for the gaffs!

David Crosbie Miller, Battle of Waterloo, 51st Highland Division

Congress Reel, Farewell to Connaught, Rakish Paddy, Dick Gossip’s Reel, Ger the Rigger

Last but not least are some tunes I wrote, the first is the first I ever wrote with a name my dad came up with, the second named after my dad, and the last named after my wife. You can find sheet musicĀ here. Enjoy!

Empty Quiver, Hilton McLaurin, Latisha McLaurin’s Jig

Oh yeah, old style Kron band chanter with Gilmour reed.