Hugh MacCallum – World’s Greatest Pipers Vol. 2 1987 – Lament for Mary MacLeod – A=472 Hz G=439 Hz -> Spot on 16/9(A)

Jack Lee – Dr. Dan Reid Memorial Challenge 2001 – Lament for Mary MacLeod – A=480.5 Hz G=844.5 Hz -> ~3 Hz sharp of 7/4(A)

Alasdair Gillies – World’s Greatest Pipers Vol.12 1994 – King’s Taxes – A=476 Hz G=834,832,833 Hz -> Spot on 7/4(A) – funny he actually starts a tad sharp at 834, he underblows it a bit on the next one at 832 and you can hear the slight discord with the drones, and then on the third pass you hear him blow harder as he’s still underblowing it a bit at first to come in right at 833 Hz by the end of the note.

John Wilson – World’s Greatest Pipers Vol. 5 1996 – Glengarry’s March – A=481 Hz G=845 Hz -> 3 Hz sharp of 7/4(A)

Michael Cusack – Glenfiddich Piping Championship – Park Piobaireachd (No. 2) – A=472 Hz G=824 Hz -> 2 Hz flat of 7/4(A)

Stuart Liddell – 1997 Recital Series Vol. 2 – Battle of Auldearn – A=474 Hz G=838,835,836 Hz -> 4,7,6 Hz flat of 16/9(A) or 8,5,6 Hz sharp of 7/4(A)

John MacLellan – Classical Music of the Highland Bagpipe – Lament for MacSwan of Roaig – A=476 Hz G=839 Hz -> 7 Hz flat of 16/9(A) or 6 Hz sharp of 7/4(A)

Murray Henderson – Glenfiddich Piping Championship – MacDougall’s Gathering – A=476 Hz G=839,836 Hz -> 7,10 Hz flat of 16/9(A) or 6,3 Hz sharp of 7/4(A)

Robert U Brown – Vol. 1 Masters of Piobaireachd – Lament for Patrick Og MacCrimmon – A=476 Hz G=389 Hz -> 7 Hz flat of 16/9(A) or 6 Hz sharp of 7/4(A)